New identity and website for Basement Roma, a Rome-based exhibition space led by CURA. magazine since 2012. Designed together with Dan Solbach.

«Strada» is a display typeface, originally drawn by Walter F. Haettenschweiler in 1967 and first published in Lettera 3. As part of a collaboration between Visual Communication ZHdK and Museum für Gestaltung Zürich the existing alphabet was digitized and extended to a basic latin character set. All fonts can be viewed on eFont.ch and were displayed as part of the exhibition «Haettenschweiler von A bis Z». In addition, a poster was designed to showcase the typeface at another exhibition in the city of Zug in March 2023.
© Museum für Gestaltung Zürich and Erbengemeinschaft Walter F. Haettenschweiler

Identity (including Poster, Website, Signage, Socials…) for the Swiss Design Network research summit Counterparts: Exploring Design Beyond the Human. Designed with Ladina Dörig, Severin Weber and Nicolai Jaron Kager.

The Diploma Publication 2022 for Visual Communication ZHdK, designed together with Ladina Dörig and Romain Salomon. The concept Past-Present-Future divides the publication into three chapters, framed by the envelope showing the timetable for the next two semesters.

«Comforting Gloom», a photo editorial on the topic of darkness and the (dis)comfort it can cause.

The current state of «Tal Grotesk», a narrow grotesk typeface designed in collaboration with Miloš Gavrić and Armando Guetg.

Poster proposals for the Filmpodium Zurich and the ZSC Pfingstregatta.

This project started out with abstract photographs, in which I tried to capture the fine line between the beautiful and the ugly. They were then combined with a selection of texts, each either dealing with beauty or ugliness. The hypothesis that both in fact may lie very close together, translates into the layout, with the two different topics running parallel on the same page. To differentiate them, each has their individual layout.

Konstrukta is a simple and geometric monospaced typeface. It is the result of my first time dipping a toe into the field of type design in 2019.